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Transmission series

Transmission One and Transmission Two

Dan Hett

Flipped Clock, Thomson & Craighead, 2008

Flipped Clock

Thomson & Craighead

Mini Rugs and their Friends

Mini Rugs and their Friends

Riitta Oittinen

Listening to Shetland Wool by Felicity Ford

Sonic Pattern and the Textility of Code

Felicity Ford

Weather Gauge, Thomson & Craighead, 2009

Weather Gauge

Thomson & Craighead

Forkbomb, Alex McLean, 2001. Perl script computer code with paper output

Forkbomb

Alex McLean

Watching the Watchers, James Bridle, 2013. Multiple mounted colour prints

Watching the Watchers

James Bridle

Metrography, Benedikt Groß & Bertrand Clerc, 2012. Print on aluminium

Metrography

Benedikt Groß and Bertrand Clerc

Three Hundred and Sixty Seconds, Dan Hett, 2016. Algorithmically generated live coding production stills (from an ongoing series)

Three Hundred and Sixty Seconds

Dan Hett

Re-knitting step by step guide, Amy Twigger Holroyd, 2012. Digital prints on paper

Re-knitting step by step guide

Amy Twigger Holroyd

Fairytale for Sale, Natasha Caruana, 2011

Fairytale for Sale

Natasha Caruana

Listening to Shetland Wool, Felicity Ford, 2013. Interactive online aporee sound map

Listening to Shetland Wool

Felicity Ford

20Hz, Semiconductor, 2011. HD + HD 3D single channel video. 05.00 minutes

20Hz

Semiconductor

Six Years of Mondays, Thomson & Craighead, 2014

Six Years of Mondays

Thomson & Craighead

The Clandestine Purse, Natasha Caruana, 2008

The Clandestine Purse

Natasha Caruana

Twenty Thousand Seconds, Dan Hett, 2016. Algorithmically generated live coding image film (from an ongoing series)

Twenty Thousand Seconds

Dan Hett

Corruption, Thomson & Craighead, 2014

Corruption

Thomson & Craighead

Re-knitting 'tester' Jumper, Amy Twigger Holroyd, 2013. Hacked knitted garment

Re-knitting ‘tester’ jumper

Amy Twigger Holroyd

KNITSONIK Stranded Colourwork Sourcebook, Felicity Ford, 2014. Crowd-funded publication

KNITSONIK Stranded Colourwork Sourcebook

Felicity Ford

Still Lifes and Oscillators 1, Ben Garrod, 2012. Paint

Still Lifes and Oscillators 1

Ben Garrod

Married Man, Natasha Caruana, 2008

Married Man

Natasha Caruana

Pillars of Hercules, James Brooks, 2014

Pillars of Hercules

James Brooks

The spectrum of re-knitting treatments, Amy Twigger Holroyd, 2012. Digital print on paper

The spectrum of re-knitting treatments

Amy Twigger Holroyd

{poem}.py

{poem}.py

Pip Thornton

The Doffing Misstress Takes a Stroll, David Littler, 2016. Participatory installation. Piano player, paper scores, materials for contribution

The Doffing Mistress Takes a Stroll

David Littler

Rates for the Job, Sam Meech, 2016. Order form and performative contractual exchange action 

Rates for the Job

Sam Meech

Body 01000010011011110110010001111001, Stanza, 2012. Perspex, Arduino, electronic components, internet connection

Body 01000010011011110110010001111001

Stanza

Voyager (Micromégas), Thomson & Craighead, 2013

Voyager (Micromégas)

Thomson & Craighead

Punchcard Economy, Sam Meech, 2013. ODI: 3.5 x 0.5m knitted banner, FutureEverything: 5 x 3m knitted banner & knitting machines

Punchcard Economy

Sam Meech

Data as Culture - Art that uses data as a material

UK wedding customs and the fantasy, performance and trophies of the ‘big day’ are explored in a series of iconic wedding photographs. In each, new couples or brides display traditional garb and time-worn wedding poses. But the brides have obscured their own faces: heads are chopped off, and faces are covered in black pen, digital cut-outs or smiley faces. Posing as a bride-to-be, Natasha contacted brides to discover their motivations for resale. These are reflected in a ‘text cloud’ alongside the images. The work raises questions about transactional elements of the marriage contract and the props of the big day. It also marks a point in time when sharing personal data online was less comfortable.