State  

Twenty Thousand Seconds, Dan Hett, 2016. Algorithmically generated live coding image film (from an ongoing series)

Twenty Thousand Seconds

Dan Hett

Punchcard Economy, Sam Meech, 2013. ODI: 3.5 x 0.5m knitted banner, FutureEverything: 5 x 3m knitted banner & knitting machines

Punchcard Economy

Sam Meech

Weather Gauge, Thomson & Craighead, 2009

Weather Gauge

Thomson & Craighead

The spectrum of re-knitting treatments, Amy Twigger Holroyd, 2012. Digital print on paper

The spectrum of re-knitting treatments

Amy Twigger Holroyd

Voyager (Micromégas), Thomson & Craighead, 2013

Voyager (Micromégas)

Thomson & Craighead

Forkbomb, Alex McLean, 2001. Perl script computer code with paper output

Forkbomb

Alex McLean

Six Years of Mondays, Thomson & Craighead, 2014

Six Years of Mondays

Thomson & Craighead

Watching the Watchers, James Bridle, 2013. Multiple mounted colour prints

Watching the Watchers

James Bridle

Rates for the Job, Sam Meech, 2016. Order form and performative contractual exchange action 

Rates for the Job

Sam Meech

Re-knitting step by step guide, Amy Twigger Holroyd, 2012. Digital prints on paper

Re-knitting step by step guide

Amy Twigger Holroyd

KNITSONIK Stranded Colourwork Sourcebook, Felicity Ford, 2014. Crowd-funded publication

KNITSONIK Stranded Colourwork Sourcebook

Felicity Ford

Metrography, Benedikt Groß & Bertrand Clerc, 2012. Print on aluminium

Metrography

Benedikt Groß and Bertrand Clerc

Three Hundred and Sixty Seconds, Dan Hett, 2016. Algorithmically generated live coding production stills (from an ongoing series)

Three Hundred and Sixty Seconds

Dan Hett

Listening to Shetland Wool, Felicity Ford, 2013. Interactive online aporee sound map

Listening to Shetland Wool

Felicity Ford

Listening to Shetland Wool by Felicity Ford

Sonic Pattern and the Textility of Code

Felicity Ford

Corruption, Thomson & Craighead, 2014

Corruption

Thomson & Craighead

Pillars of Hercules, James Brooks, 2014

Pillars of Hercules

James Brooks

Body 01000010011011110110010001111001, Stanza, 2012. Perspex, Arduino, electronic components, internet connection

Body 01000010011011110110010001111001

Stanza

Fairytale for Sale, Natasha Caruana, 2011

Fairytale for Sale

Natasha Caruana

Still Lifes and Oscillators 1, Ben Garrod, 2012. Paint

Still Lifes and Oscillators 1

Ben Garrod

Re-knitting 'tester' Jumper, Amy Twigger Holroyd, 2013. Hacked knitted garment

Re-knitting ‘tester’ jumper

Amy Twigger Holroyd

20Hz, Semiconductor, 2011. HD + HD 3D single channel video. 05.00 minutes

20Hz

Semiconductor

The Clandestine Purse, Natasha Caruana, 2008

The Clandestine Purse

Natasha Caruana

Married Man, Natasha Caruana, 2008

Married Man

Natasha Caruana

The Doffing Misstress Takes a Stroll, David Littler, 2016. Participatory installation. Piano player, paper scores, materials for contribution

The Doffing Mistress Takes a Stroll

David Littler

Flipped Clock, Thomson & Craighead, 2008

Flipped Clock

Thomson & Craighead

Data as Culture - Art that uses data as a material

Inca Telefax is an occasionally broadcasting three-channel installation of algorithmically generated sounds shown with pixelquipu, an accompanying visual score. The works derive their structure from Pre-Columbian quipu – necklace-shaped, knotted threads that were used for different, partly unknown, administrative and scientific tasks across the Inca empire. Quipu are thought to have contained data relating to calendar information or accounting within a large empire with no money or other forms of written record. Mysterious ‘narrative quipu’ also exist, which follow less clear patterns. The artists have employed sonification to create an aural insight into quipu, which identifies rhythmic structures that “would be easy to overlook visually”. The works introduce us to an abstracted, contemplative encounter with an ancient form of data collection. Produced as the result of a seminar with the music informatics students at the Institute for Music and Media at the Robert Schumann University of Music and Media, Düsseldorf.

Inka Telefax, Julian Rohrhuber & David Griffiths, 2016. Computer-generated sound installation