Treister’s Post-Surveillance Art poster series shrewdly explores the post-Snowden age and a culture in which people are happy to surrender vast amounts of their personal data to unidentified, potentially unregulated sources. Patterns reminiscent of Op art, Pop art, twentieth-century science fiction and computer errors accompany thought-provoking, critically challenging and tongue-in-cheek slogans.
19 archival giclée prints on Hahnemühle Bamboo paper, each 29.7 x 42 cm or 42 x 29.7 cm
Hybrid Landscapes
April 2017 – November 2019 at Digital Catapult, London
Anonymised, Commercial, Metadata, Personal, Social, State
Suzanne Treister (b.1958 London UK) studied at St Martin’s School of Art, London (1978-1981) and Chelsea College of Art and Design, London (1981-1982) based in London having lived in Australia, New York and Berlin. Initially recognized…
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