Data as Culture - Art that uses data as a material

Via a convoluted process of compression, conversion and transmission; information documenting the site of the painting is broken down to data and de-cohered, mistranslated and finally planted in John Conway’s Game of Life. The fruits of this postefficient process, the still lifes and oscillators are sampled and painted onto the floor, ceiling, walls and furniture from a projected image so that when re-photographed from the point of view of the original shot it is flattened to 2D, bringing the plane of the screen across the space of verifiable reality.