Data type: Identifiable  

Photo of multi story wooden tower

A Machine for Living

James Coupe

Transmission series

Transmission One and Transmission Two

Dan Hett

Gallery installation of multiple photos

The Longest and Darkest of Recollections

Liz Orton

Gallery photo of someone in a VR helmet viewing artwork

Substance – A whole history of hollows and reliefs

Phil Coy

Listening to Shetland Wool

Felicity Ford

Married Man, Natasha Caruana, 2008

Married Man

Natasha Caruana

Twenty Thousand Seconds, Dan Hett, 2016. Algorithmically generated live coding image film (from an ongoing series)

Twenty Thousand Seconds

Dan Hett

Six Years of Mondays, Thomson & Craighead, 2014

Six Years of Mondays

Thomson & Craighead

black and white image of booklet called Daemons of the Shadow World

Daemons of the Shadow World

Giles Lane

Fairytale for Sale, Natasha Caruana, 2011

Fairytale for Sale

Natasha Caruana

Pillars of Hercules, James Brooks, 2014

Pillars of Hercules

James Brooks

balck and white photo of sign in countryside landscape

50.080697, -5.694138

Evan Roth

Installation photo of red frame, number display and construction

53°32’.01N, 003°21’.29W, from the Sea

David Gauthier

Canal Observatory

AusBlau

Re-knitting step by step guide, Amy Twigger Holroyd, 2012. Digital prints on paper

Re-knitting step by step guide

Amy Twigger Holroyd

Image of an illuminated digital fountain dark blue on black background

Fountain

Katriona Beales

Black and white abstract image

Shadows of the State

Lewis Bush

kinetic artwork of a circular wooden base and brass arches with a small brass seasaw with a weight

Allusive Protocols (prototypes)

Julie Freeman

multicoloured cartoon collage with 3D rendered large golden hand

Unauthorised Copy

Antonio Roberts

image of screen and aerials in gallery

Open Space Observatory

Kei Kreutler and Libre Space Foundation

KNITSONIK Stranded Colourwork Sourcebook, Felicity Ford, 2014. Crowd-funded publication

KNITSONIK Stranded Colourwork Sourcebook

Felicity Ford

Forkbomb, Alex McLean, 2001. Perl script computer code with paper output

Forkbomb

Alex McLean

Image of ghostly woman on black background (CIPHER artwork)

CIPHER

Katriona Beales

Image of computer generated object in natural woodland

Shifting

Katriona Beales

Body 01000010011011110110010001111001, Stanza, 2012. Perspex, Arduino, electronic components, internet connection

Body 01000010011011110110010001111001

Stanza

Rates for the Job, Sam Meech, 2016. Order form and performative contractual exchange action 

Rates for the Job

Sam Meech

abstract sculpture in blue and pale pink

Public Protection, Private Collection

Felicity Hammond

Photo of The Promises Machione a wooden display with embedded screen

The Promises Machine

Rachel Jacobs

Still Lifes and Oscillators 1, Ben Garrod, 2012. Paint

Still Lifes and Oscillators 1

Ben Garrod

{poem}.py

{poem}.py

Pip Thornton

Five 3D printed pale yellow shell-like objects

Lifestreams

Proboscis

Mini Rugs and their Friends

Mini Rugs and their Friends

Riitta Oittinen

Illluminated acrylic sculpture of a red-lit person holding a book

The Reader

Stanza

image of black and white animation on a screen of women and a wire fence

There Are Worlds Out There They Never Told You About

Jackie Karuti

Corruption, Thomson & Craighead, 2014

Corruption

Thomson & Craighead

Three Hundred and Sixty Seconds, Dan Hett, 2016. Algorithmically generated live coding production stills (from an ongoing series)

Three Hundred and Sixty Seconds

Dan Hett

Dystopian digital city landscape

Cover designs for William Gibson’s Neuromancer trilogy

Daniel Brown

Watching the Watchers, James Bridle, 2013. Multiple mounted colour prints

Watching the Watchers

James Bridle

Circular blue, black and white inverted image of tree

Inverted Night Sky

Jeronimo Voss

image of a screen with four chairs each with a ventriloquists half-masks hanging above each

Recruitment Goes Wrong

Thomson & Craighead

image of pylon-like communications tower inverted white out of red

http://s33.820180e151.184813.com.au

Evan Roth

Weather Gauge, Thomson & Craighead, 2009

Weather Gauge

Thomson & Craighead

photo of sensor hanging in a darl room with two screens

Measure for Measure for Measure

David Gauthier

Re-knitting 'tester' Jumper, Amy Twigger Holroyd, 2013. Hacked knitted garment

Re-knitting ‘tester’ jumper

Amy Twigger Holroyd

The Doffing Misstress Takes a Stroll, David Littler, 2016. Participatory installation. Piano player, paper scores, materials for contribution

The Doffing Mistress Takes a Stroll

David Littler

Voyager (Micromégas), Thomson & Craighead, 2013

Voyager (Micromégas)

Thomson & Craighead

Close up of lightbulbs from The Future artwork

The Future

Alicia Eggert and Safwat Saleem

The spectrum of re-knitting treatments, Amy Twigger Holroyd, 2012. Digital print on paper

The spectrum of re-knitting treatments

Amy Twigger Holroyd

Metrography, Benedikt Groß & Bertrand Clerc, 2012. Print on aluminium

Metrography

Benedikt Groß and Bertrand Clerc

person in white wearing a sci-fi helmet with lots of protrusions

Quasar-2A

Field

Listening to Shetland Wool, Felicity Ford, 2013. Interactive online aporee sound map

Sonic Pattern and the Textility of Code

Felicity Ford

Flipped Clock, Thomson & Craighead, 2008

Flipped Clock

Thomson & Craighead

The Clandestine Purse, Natasha Caruana, 2008

The Clandestine Purse

Natasha Caruana

Screen capture of multi-coloured digitally generated flowers

Flowers

Daniel Brown

Punchcard Economy, Sam Meech, 2013. ODI: 3.5 x 0.5m knitted banner, FutureEverything: 5 x 3m knitted banner & knitting machines

Punchcard Economy

Sam Meech

20Hz, Semiconductor, 2011. HD + HD 3D single channel video. 05.00 minutes

20Hz

Semiconductor

Data as Culture - Art that uses data as a material

Interactive performance documentary face to face and online

Dimensions and duration variable

Data is telling tales about us. Can we trust these stories? DoxBox trustbot is a hot-pink ‘puppet-robot-hybrid’ who wants to chat. Through face-to-face or online conversation, DoxBox builds impressions about us based on what we do or don’t share and which organisations do or don’t collect data about us. DoxBox wants to find out how carefree or cautious we are with data. It wants us to reveal how informed we are about cybersecurity.

DoxBox helps us consider the trustworthiness of those we share data with, and how many data versions of ourselves we create online. It nudges us to think about the benefits or burdens of these data doppelgangers. DoxBox draws attention to the humanity or inhumanity of algorithmically and electronically mediated relationships. It encourages us to consider how data collected about us might change if factors like our age, gender or nationality were different. DoxBox  makes us think whether we should question the hard evidence that data seems to provide. While seemingly an AI, DoxBox’s interactions are controlled by the Operator enacting a ‘tech drag’ performance. DoxBox rewards participants for sharing with its own unique ‘Trust Credits’.

Creator Alistair Gentry says “What surprised me about my research at the ODI was that the data we volunteer is just the beginning. There are vast quantities of extremely valuable data generated around all of our online activities without us knowing it and then yet another layer of data that is inferred from it. My research led me to want to satirise how we have become a ‘product’ to the companies that create the apps as the most valuable thing about us has become our data.”

Created following a nine-month residency at the ODI in London in 2018 and 2019.

Commissioned by ODI Data as Culture and produced as part of an ODI R&D project exploring trust in data collection, sharing and use, funded by Innovate UK.

Online version further developed in 2020 in collaboration with researchers at King’s College London, through the King’s Together Multi and Interdisciplinary Research Scheme.

Where to see DoxBox trustbot

**Due to Covid-19 DoxBox is currently only performing online. See booking below **

Future ‘face-to-face’ performance and tour dates will be updated here.

Booking a DoxBox trustbot performance

DoxBox trustbot is available for online performances and events. Face-to-face bookings are subject to Covid-19 restrictions. Trust us, you’re worth it. Please contact us (email link).