Time/space  

image of pylon-like communications tower inverted white out of red

http://s33.820180e151.184813.com.au

Evan Roth

Photo of multi story wooden tower

A Machine for Living

James Coupe

Body 01000010011011110110010001111001, Stanza, 2012. Perspex, Arduino, electronic components, internet connection

Body 01000010011011110110010001111001

Stanza

multicoloured cartoon collage with 3D rendered large golden hand

Unauthorised Copy

Antonio Roberts

Circular blue, black and white inverted image of tree

Inverted Night Sky

Jeronimo Voss

Five 3D printed pale yellow shell-like objects

Lifestreams

Proboscis

Re-knitting 'tester' Jumper, Amy Twigger Holroyd, 2013. Hacked knitted garment

Re-knitting ‘tester’ jumper

Amy Twigger Holroyd

Watching the Watchers, James Bridle, 2013. Multiple mounted colour prints

Watching the Watchers

James Bridle

Forkbomb, Alex McLean, 2001. Perl script computer code with paper output

Forkbomb

Alex McLean

2020

Copy That? Surplus Data in an Age of Repetitive Duplication at The Open Data Institute, curated by Hannah Redler-Hawes, Julie Freeman and Anna Scott.
Curators statement
Data Anthropologies: Natasha Caruana Love is an Act

17 July – 16 December 2015

Data Anthropologies: Natasha Caruana Love is an Act at The Open Data Institute, curated by Hannah Redler-Hawes.
Curators statement
Data Anthropologies: Thomson & Craighead

25 March – 20 June 2015

Data Anthropologies: Thomson & Craighead at The Open Data Institute, curated by Hannah Redler-Hawes.
Curators statement
Data as Culture 2012

July 2012 – March 2013

Data as Culture 2012 at The Open Data Institute, curated by Julie Freeman and Sophie McDonald.
Curators statement
Data as Culture 2014

March 2014 – February 2015

Data as Culture 2014 at The Open Data Institute, curated by Shiri Shalmy.
Curators statement
Datos como cultura text

April 2015

Exhibition at the Overseas Development Initiative's Cartegena Data Festival in Columbia, curated by Julie Freeman.
Curators statement
text logo for Hybrid Landscapes

April 2017 – November 2019

Hybrid Landscapes at Digital Catapult, curated by Hannah Redler-Hawes.
Curators statement
layered compliation of sun and iris

From 6 May 2022

One Hundred Thousand Suns by Rohini Devasher at the Open Data Institute.
About the exhibition
Screen capture from We Need Us animation, stacked orange rectangles

June 2014 – present day

We Need Us, commissioned by the ODI and The Space.
Producers statement
The word 'Begin' in grey on a gray background part of Everest Pipkin's Shell Song

Nov 2020 – 2021

Rules of Engagement
Curators statement
red and white image of front of catalogue

June 2017 – October 2017

The New Observatory at FACT, curated by Hannah Redler-Hawes and Sam Skinner.
Curators statement

From 22 November 2023

The Wizard of AI by Alan Warburton, commissioned by ODI for ODI Summit 2023.
About the work
Data as Culture - Thinking Out Loud

July 2016 – March 2017

Thinking Out Loud at The Open Data Institute, curated by Alex McLean and Hannah Redler-Hawes.
Curators statement

From 20 May 2022

WaterWays: an invitation to reimagine the ecology of the Regent’s Canal by Royal College of Art CCA at the Open Data Institute.
Curators statement
lmao poster

23 Jan 2018 – 2019

LMAO at The Open Data Institute, curated by Julie Freeman and Hannah Redler-Hawes.
Curators statement
AQD Remembrancer, James Bridle, 2014. Limited edition newspaper (500)

AQD Remembrancer

James Bridle

Watching the Watchers, James Bridle, 2013. Multiple mounted colour prints

Watching the Watchers

James Bridle

Body 01000010011011110110010001111001, Stanza, 2012. Perspex, Arduino, electronic components, internet connection

Body 01000010011011110110010001111001

Stanza

Listening to Shetland Wool, Felicity Ford, 2013. Interactive online aporee sound map

Sonic Pattern and the Textility of Code

Felicity Ford

20Hz, Semiconductor, 2011. HD + HD 3D single channel video. 05.00 minutes

20Hz

Semiconductor

Three flames ate the sun, and big stars were seen, Philip Archer, 2012. Wall mounted canvas, photochromic paint, arduino, stepper motor, custom software

Three flames ate the sun, and big stars were seen

Phil Archer

photograph of two screens with text and a 3D grid-based data visualisation in red on black

MYPOCKET

Burak Arikan

Photo of a naked mole-rat with a black redaction line over its eyes

Rodent Activity Transmission (RAT) systems

Julie Freeman

Rates for the Job, Sam Meech, 2016. Order form and performative contractual exchange action 

Rates for the Job

Sam Meech

multicoloured cartoon collage with 3D rendered large golden hand

Unauthorised Copy

Antonio Roberts

Dystopian digital city landscape

Cover designs for William Gibson’s Neuromancer trilogy

Daniel Brown

KNITSONIK Stranded Colourwork Sourcebook, Felicity Ford, 2014. Crowd-funded publication

KNITSONIK Stranded Colourwork Sourcebook

Felicity Ford

Gallery photo of someone in a VR helmet viewing artwork

Substance – A whole history of hollows and reliefs

Phil Coy

Mini Rugs and their Friends

Mini Rugs and their Friends

Riitta Oittinen

Six Years of Mondays, Thomson & Craighead, 2014

Six Years of Mondays

Thomson & Craighead

Twenty Thousand Seconds, Dan Hett, 2016. Algorithmically generated live coding image film (from an ongoing series)

Twenty Thousand Seconds

Dan Hett

Listening to Shetland Wool

Felicity Ford

Metrography, Benedikt Groß & Bertrand Clerc, 2012. Print on aluminium

Metrography

Benedikt Groß and Bertrand Clerc

Weather Gauge, Thomson & Craighead, 2009

Weather Gauge

Thomson & Craighead

black and white image of booklet called Daemons of the Shadow World

Daemons of the Shadow World

Giles Lane

Re-knitting 'tester' Jumper, Amy Twigger Holroyd, 2013. Hacked knitted garment

Re-knitting ‘tester’ jumper

Amy Twigger Holroyd

Gallery installation of multiple photos

The Longest and Darkest of Recollections

Liz Orton

Screen capture of multi-coloured digitally generated flowers

Flowers

Daniel Brown

The Clandestine Purse, Natasha Caruana, 2008

The Clandestine Purse

Natasha Caruana

Image of an illuminated digital fountain dark blue on black background

Fountain

Katriona Beales

Flipped Clock, Thomson & Craighead, 2008

Flipped Clock

Thomson & Craighead

Gallery install photo of display on walls with US postbox style object

Frackbox

Citizen Sense

Re-knitting step by step guide, Amy Twigger Holroyd, 2012. Digital prints on paper

Re-knitting step by step guide

Amy Twigger Holroyd

The Doffing Misstress Takes a Stroll, David Littler, 2016. Participatory installation. Piano player, paper scores, materials for contribution

The Doffing Mistress Takes a Stroll

David Littler

Three Hundred and Sixty Seconds, Dan Hett, 2016. Algorithmically generated live coding production stills (from an ongoing series)

Three Hundred and Sixty Seconds

Dan Hett

image of a screen with four chairs each with a ventriloquists half-masks hanging above each

Recruitment Goes Wrong

Thomson & Craighead

Still Lifes and Oscillators 1, Ben Garrod, 2012. Paint

Still Lifes and Oscillators 1

Ben Garrod

The Wizard of AI

Alan Warburton

photo of sensor hanging in a darl room with two screens

Measure for Measure for Measure

David Gauthier

Circular blue, black and white inverted image of tree

Inverted Night Sky

Jeronimo Voss

Image of computer generated object in natural woodland

Shifting

Katriona Beales

collage of 50 thousand mostly brown book spines revealing a face

Elastic System

Richard Wright

Photo of multi story wooden tower

A Machine for Living

James Coupe

Married Man, Natasha Caruana, 2008

Married Man

Natasha Caruana

Voyager (Micromégas), Thomson & Craighead, 2013

Voyager (Micromégas)

Thomson & Craighead

Close up of black ceramic object - one of the Dustbox forms

Dustbox

Citizen Sense

The spectrum of re-knitting treatments, Amy Twigger Holroyd, 2012. Digital print on paper

The spectrum of re-knitting treatments

Amy Twigger Holroyd

Photo of The Promises Machione a wooden display with embedded screen

The Promises Machine

Rachel Jacobs

image of pylon-like communications tower inverted white out of red

http://s33.820180e151.184813.com.au

Evan Roth

image of screen and aerials in gallery

Open Space Observatory

Kei Kreutler and Libre Space Foundation

{poem}.py

{poem}.py

Pip Thornton

Close up of lightbulbs from The Future artwork

The Future

Alicia Eggert and Safwat Saleem

balck and white photo of sign in countryside landscape

50.080697, -5.694138

Evan Roth

Photo of The Prediction Machine - awooden-style arcade-like machine with large dial and screen

The Prediction Machine

Rachel Jacobs

Invisible Airs, YoHa, 2011. Pneumatic contraptions, air compressor, internet connection, bespoke software, Arduino

Invisible Airs

YoHa

Installation photo of red frame, number display and construction

53°32’.01N, 003°21’.29W, from the Sea

David Gauthier

shadow of the sun on observation notepaper

One Hundred Thousand Suns

Rohini Devasher

kinetic artwork of a circular wooden base and brass arches with a small brass seasaw with a weight

Allusive Protocols (prototypes)

Julie Freeman

abstract sculpture in blue and pale pink

Public Protection, Private Collection

Felicity Hammond

Canal Observatory

AusBlau

Illluminated acrylic sculpture of a red-lit person holding a book

The Reader

Stanza

Five 3D printed pale yellow shell-like objects

Lifestreams

Proboscis

Image of ghostly woman on black background (CIPHER artwork)

CIPHER

Katriona Beales

Punchcard Economy, Sam Meech, 2013. ODI: 3.5 x 0.5m knitted banner, FutureEverything: 5 x 3m knitted banner & knitting machines

Punchcard Economy

Sam Meech

Transmission series

Transmission One and Transmission Two

Dan Hett

abstract image in dark pink, black and white

Code / City

Manu Luksch

Fairytale for Sale, Natasha Caruana, 2011

Fairytale for Sale

Natasha Caruana

image of black and white animation on a screen of women and a wire fence

There Are Worlds Out There They Never Told You About

Jackie Karuti

Black and white abstract image

Shadows of the State

Lewis Bush

Copy Bomb, Antonio Roberts, 2015. Offline interactive networked sculpture. PirateBox, offline network, MDF, paint

Copy Bomb

Antonio Roberts

person in white wearing a sci-fi helmet with lots of protrusions

Quasar-2A

Field

Forkbomb, Alex McLean, 2001. Perl script computer code with paper output

Forkbomb

Alex McLean

Your fingerprints on the artworks are the artwork itself

Paolo Cirio

Corruption, Thomson & Craighead, 2014

Corruption

Thomson & Craighead

Pillars of Hercules, James Brooks, 2014

Pillars of Hercules

James Brooks

Pink Sheet Method, Thickear, 2014. Multiple performance, triplicate forms, archival spike, paint

Pink Sheet Method

Thickear

Data as Culture - Art that uses data as a material

Flowers is a series of highly photo-realistic digital flower animations, designed to ‘create flowers that look real but that can’t possibly be real’. Brown reinforces their uncanny super-natural effects by mapping different visual references into them. The encoded words, data, digital detritus and glitches he has applied here reflect the context of the Digital Catapult where the work was prominently displayed.

An Open Data Institute / Digital Catapult commission